ARTEMIDE TAKES CENTER STAGE AT THE VENICE BIENNALE

Artemide reaffirms its commitment to promoting design culture and artistic experimentation by taking part in the 19th International Architecture Exhibition of the Venice Biennale. The Italian company, a leader in the lighting sector and a prestigious partner in the world of design and architecture, actively supports a series of installations in which light plays a central role in artistic and architectural exploration.

The Third Paradise Perspective by Fondazione Pistoletto Cittadellarte

“The Third Paradise Perspective” by Fondazione Pistoletto Cittadellarte - Photography by Riccardo Banfi
“The Third Paradise Perspective” by Fondazione Pistoletto Cittadellarte - Photography by Riccardo Banfi

In the first hall of the Corderie dell’Arsenale, Artemide has designed the lighting project for the installation The Third Paradise Perspective, created by Fondazione Pistoletto Cittadellarte. The iconic symbol of the Third Paradise – a reinterpretation of the infinity sign representing harmony between nature and society – comes to life through a bespoke lighting installation of La Linea, a lighting system designed by BIG – Bjarke Ingels Group for Artemide. The work embodies the transition towards a more conscious and sustainable future, offering a sensory experience that encourages collective reflection.


Ancient Future: Bridging Bhutan’s Tradition and Innovation by BIG - Bjarke Ingels Group, Laurian Ghinitoiu & Arata Mori

“Ancient Future: Bridging Bhutan’s Tradition and Innovation” by BIG, Laurian Ghinitoiu & Arata Mori. Photography by Andrea Avezzù. Courtesy: La Biennale di Venezia
“Ancient Future: Bridging Bhutan’s Tradition and Innovation” by BIG, Laurian Ghinitoiu & Arata Mori. Photography by Andrea Avezzù. Courtesy: La Biennale di Venezia

Artemide contributes to the Ancient Future project, inspired by the façade of the Gelephu International Airport in Bhutan. Comprising four glulam beams, the installation brings together tradition and innovation: two of the beams are intricately hand-carved by Bhutanese artisans, while the other two are shaped by a robotic arm guided by artificial intelligence. Light enhances the narrative of this “urban mandala”, a symbol of the meeting between spirituality and contemporary vision. Ancient Future reimagines conservation as evolution, ensuring that Bhutan’s rich heritage continues to inspire in a rapidly changing world.


The Architecture of Virtual Water by Benedetta Tagliabue (EMBT Architects) & Jampel Dell’Angelo (w a t e r s p a c e)

“The Architecture of Virtual Water” by Benedetta Tagliabue - EMBT Architects & w a t e r s p a c e. Photography by Marco Zorzanello. Courtesy: La Biennale di Venezia
“The Architecture of Virtual Water” by Benedetta Tagliabue - EMBT Architects & w a t e r s p a c e. Photography by Marco Zorzanello. Courtesy: La Biennale di Venezia

The Architecture of Virtual Water is an immersive installation that reveals the hidden presence of water in our everyday lives. The pavilion’s structure is formed by a sculptural wooden framework spelling out the word AQUA, while inside, visitors embark on a multisensory journey to discover virtual water – an invisible, often overlooked resource that is present and essential in every aspect of our daily existence. The light of Lune d’acqua, designed by Benedetta Tagliabue and Ersilia Vaudo for Artemide, gives shape to this reflection, transforming abstraction into a perceptual and visual experience. The installation invites contemplation on the interconnected role of water in ecosystems, trade, and human survival, highlighting the urgent need for greater awareness and sustainable action.


Voice of Commons. Carlo Scarpa's Ticket Hall restoration project by Giulia Foscari, UNA/UNLESS

Carlo Scarpa's Ticket Hall restoration project by Giulia Foscari, UNA/UNLESS. Photography by Andrea Avezzù. Courtesy: La Biennale di Venezia
Carlo Scarpa's Ticket Hall restoration project by Giulia Foscari, UNA/UNLESS. Photography by Andrea Avezzù. Courtesy: La Biennale di Venezia

Artemide has also contributed to the revival of the historic Ticket Hall designed by Carlo Scarpa, as part of the Voice of Commons installation curated by Giulia Foscari, UNA/UNLESS. The lighting interventions – including bespoke versions of Turn Around and Vector by Carlotta de Bevilacqua, and Criosfera by Giulia Foscari – have breathed new life and meaning into this iconic space, enhancing Scarpa’s architectural legacy and offering visitors a unique and renewed experience.

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About Artemide

Founded in 1959 by Ernesto Gismondi, Artemide is headquartered in Pregnana Milanese. Artemide products are distributed in over 100 countries worldwide. The Artemide Group currently employs more than 600 people, including 60 in research and development, underscoring the pivotal role of innovation as a key driver of success.
Artemide, the company behind “The Human & Responsible Light,” holds ISO 9001, ISO 14001, and ISO 45001 certifications. Since 2019, it has been a participant in the United Nations Global Compact and has transparently documented its progress through a certified Sustainability Report since 2018.
Every Artemide light embodies the energy of a company that believes in and invests in research and development, champions Made in Italy, manufactures in Europe, and enjoys a globally recognized reputation.

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